Over the past twenty years, I have worked across cultural, political, and institutional life, helping people and organizations think through what they want to say, what they want to build, and how to bring others into the conversation.
Through my practice at ElevenThirtySix, I have consulted with more than thirty cultural organizations including The Africa Center, the International Center of Photography, the International Studio and Curatorial Program, and Socrates Sculpture Park.
Today, I’m developing exhibitions, writing, consulting and paying even closer attention to the questions about society and creativity that I've spent my life exploring.
Some of those questions are about art, culture and public life: how we encounter it, understand it, and live with it. Others are about the standards we develop for ourselves, the places and communities we create, and how to build a life and work that reflects what we actually value.
These interests find different expressions through my work.
More about my background
I work with cultural and civic leaders, artists, and institutions to develop ideas, shape exhibitions and public programs, and think through how their work connects with the people they want to reach. I am interested in partnerships that bring together intellectual rigor, creative curiosity, and a shared commitment to cultural and public life.
My experience includes corporate and digital communications in finance, communications leadership for the Congressional Black Caucus and Congressman Adam Smith, public engagement at the New York Public Library and Schomburg Center for Research in Black Culture, and arts communications at Sutton. Through my own practice at ElevenThirtySix, I have worked with more than thirty cultural organizations including The Africa Center, the International Center of Photography, the International Studio and Curatorial Program, and Socrates Sculpture Park.
I hold a BA in Journalism and Mass Communication from UNC Chapel Hill, an MA in Strategic Communications from American University, and a Master of Liberal Arts in Museum Studies from Harvard Extension School, with executive education from Duke University and Sotheby’s Institute of Art.